POETRY
POETRY
LORD BYRON - IMMORTAL WITNESS TO A DYING WORLD
“I can never get people to understand that poetry is the expression of excited passion, and that there is no such thing as a life of passion any more than a continuous earthquake, or an eternal fever.” - Letter to Thomas Moore, July 5, 1821
George Gordon Byron (January 22, 1788 – April 19, 1824) was not merely a poet—he was a force of nature. A man born into scandal, shaped by suffering, and driven by a relentless pursuit of beauty, truth, and rebellion. His life was a tempest of passion and defiance, and his legacy remains one of the most electrifying in literary history.
Born in London to Captain John “Mad Jack” Byron and Catherine Gordon of Gight, a Scottish heiress, Byron’s childhood was marked by instability. After his father squandered most of the family fortune, his mother took him to Aberdeen, where they lived modestly. Byron was born with a clubfoot, which left him deeply sensitive to his physical condition.
In 1798, at the age of ten, he unexpectedly inherited the title and estates of his great-uncle, William, the 5th Baron Byron. His mother proudly returned with him to England, where he fell in love with the haunting grandeur of Newstead Abbey—an estate once gifted to the Byrons by Henry VIII.
After a period at Newstead, Byron was sent to school in London, and in 1801 he entered Harrow, one of England’s most prestigious institutions. In 1805, he enrolled at Trinity College, Cambridge. The following year, he privately printed his first volume of poetry, Fugitive Pieces, and formed a lifelong friendship with John Hobhouse, who stirred his interest in liberal Whiggism.
His first published collection, Hours of Idleness (1807), was harshly reviewed in The Edinburgh Review, prompting Byron’s biting satirical response in English Bards and Scotch Reviewers (1809), which earned him early literary recognition.
Upon reaching his majority in 1809, Byron took his seat in the House of Lords and embarked on a grand tour with Hobhouse. Their travels took them through Lisbon, Spain, Gibraltar, Malta, and into Greece and Albania. It was in Greece that Byron began composing Childe Harold’s Pilgrimage, continuing the work in Athens.
Returning to London in July 1811, Byron learned of his mother’s death. In March 1812, the first two cantos of Childe Harold’s Pilgrimage were published by John Murray, and Byron famously “awoke to find himself famous.”
In 1813, Byron entered into a controversial relationship with his half-sister Augusta Leigh, followed by a flirtation with Lady Frances Webster. Seeking escape through marriage, he proposed to Anne Isabella (Annabella) Milbanke in September 1814. They married in January 1815, and their daughter, Augusta Ada (later Ada Lovelace), was born in December. The marriage quickly deteriorated, and in January 1816, Annabella left Byron. He departed England in April 1816, never to return.
Byron traveled up the Rhine to Switzerland, settling in Geneva near Percy Bysshe Shelley, Mary Godwin, and Claire Clairmont—Mary’s stepsister and Byron’s former lover. There, he wrote the third canto of Childe Harold. Claire later gave birth to Byron’s daughter, Allegra, in January 1817. In October, Byron and Hobhouse left for Italy.
In Venice, Byron discovered the mock-heroic style of Beppo, which inspired his greatest work, Don Juan—a satirical, picaresque verse epic. The first two cantos were begun in 1818 and published in July 1819. His encounter with Countess Teresa Gamba Guiccioli, a 19-year-old married to a much older man, revitalized Byron. He followed her to Ravenna, and she later joined him in Venice. Byron gained the trust of her father and brother, Counts Ruggero and Pietro Gamba, who introduced him to the Carbonari, a secret revolutionary society seeking to liberate Italy from Austrian rule.
In November 1821, Byron moved to Pisa with Teresa and the Gambas after their expulsion from Ravenna due to a failed uprising. By 1823, weary of domestic life, Byron accepted an invitation from the London Committee to support the Greek struggle for independence from Ottoman rule. He left Genoa for Cephalonia in July 1823.
In February 1824, Byron fell seriously ill. By April, he had contracted a fatal fever and died in Missolonghi on April 19. He was deeply mourned and hailed as a symbol of selfless patriotism—a national hero in Greece. His body was returned to England, but Westminster Abbey refused burial. Instead, he was laid to rest in the family vault near Newstead Abbey. It wasn’t until 145 years later that a memorial to Byron was finally placed on the Abbey floor.
Byron’s life was a paradox: aristocrat and exile, romantic and realist, lover and fighter. His poetry remains among the most powerful expressions of passion, rebellion, and human complexity ever written. He gave voice to the unspoken, dignity to the defiant, and beauty to the broken.
Below, you’ll find selections of his poetry—unedited, unabridged, and unforgettable.
All Is Vanity, Saieth the Preacher
by Lord Byron
I.
Fame, wisdom, love, and power were mine,
And health and youth possess'd me;
My goblets blush'd from every vine,
And lovely forms caress'd me;
I sunn'd my heart in beauty's eyes,
And felt my soul grow tender:
All earth can give, or mortal prize,
Was mine of regal splendour.
II.
I strive to number o'er what days
Remembrance can discover,
Which all that life or earth displays
Would lure me to live over.
There rose no day, there roll'd no hour
Of pleasure unembitter'd;
And not a trapping deck'd my power
That gall'd not while it glitter'd.
III.
The serpent of the field, by art
And spells, is won from harming;
But that which coils around the heart,
Oh! who hath pwer of charming?
It will not list to wisdom's lore,
Nor music's voice can lure it;
But there it stings for evermore
The soul that must endure it.
A Fragment: When, To Their
Airy Hall
by Lord Byron
When, to their airy hall, my father's voice
Shall call my spirit, joyful in their choice;
When, poised upon the gale, my form shall ride,
Or, dark in mist, descend the mountains side;
Oh! may my shade behold no sculptured urns,
To mark the spot where earth to earth returns!
No lengthen'd scroll, no praise-encumber'd stone;
My epitaph shall be my name alone:
If that with honour fail to crown my clay,
Oh! may no other fame my deeds repay!
That, only that, shall single out the spot;
By that remember'd, or with that forgot.
A Riddle, On The Letter E
by Lord Byron
The beginning of eternity, the end of time and space,
The beginning of every end, and the end of every place.
A Sketch
by Lord Byron
Born in the garret, in the kitchen bred,
Promoted thence to deck her mistress' head;
Next for some gracious service unexpress'd,
And from its wages only to be guess'd
Raised from the toilette to the table, where
Her wondering betters wait behind her chair.
With eye unmoved, and forehead unabash'd,
She dines from off the plate she lately wash'd.
Quick with the tale, and ready with the lie,
The genial confidante, and general spy,
Who could, ye gods! her next employment guess--
An only infants earliest governess!
She taught the child to read, and taught so well,
That she herself, by teaching, learn'd to spell.
An adept next in penmanship she grows;
As many a nameless slander deftly shows.
What she had made the pupil of her art,
None know--but that high Soul secured the heart,
And panted for the truth it could not hear,
With longing breast and undeluded ear.
Foil'd was perversion by that youthful mind,
Which Flattery fool'd not, Baseness could not blind,
Deceit infect not, near Contagion soil,
Indulgence weaken, nor Example spoil,
Nor master'd Science tempt her to look down
On humbler talents with a pitying frown,
Nor Genius swell, nor Beauty render vain,
Nor Envy ruffle o retaliate pain,
Nor Fortune change, Pride raise, nor Passion bow,
Nor virtue teach austerity-till now.
Serenely purest of her sex that live,
But wanting one sweet weakness--to forgive,
Too shock'd at faults her soul can never know,
She deems that all could be like her below:
Foe to all vice, yet hardly Virtue's friend,
For Virtue pardons those she would amend.
But to the theme, now laid aside too long,
The baleful burthen of this honest song,
Though all her former functions are no more,
She rules the circle which she served before.
If mothers--none know why--before her quake;
If daughters dread her for the mothers' sake;
If early habits--those false links, which bind
At times the loftiest to the meanest mind
Have given her power too deeply to instil
The angry essence of her deadly will;
If like a snake she steal within your walls,
Till the black slime betray her as she crawls;
If like a viper to the heart she wind,
And leave the venom there she did not find;
What marvel that this hag of hatred works
Eternal evil latent as she lurks,
To make a Pandemonium where she dwells,
And reign the Hecate of domestic hells?
Skill'd by a touch to deepen scandal's tints
With all the kind mendacity of hints,
While mingling truth with falsehood, sneers with smiles,
A thread of candour with a web of wiles:
A plain blunt show of briefly--spoken seaming,
To hide her bloodless heart's soul-harden'd scheming;
A lip of lies; a face form'd to conceal,
And, without feeling, mock at all who feel:
With a vile mask the Gorgon would disown ,
A cheek of parchment, and an eye of stone.
Mark, how the channels of her yellow blood
Ooze to her skin, and stagnate there to mud,
Cased like the centipede in saffron mail,
Or darker greenness of the scorpion's scale--
(For drawn from reptiles only may we trace
Congenial colours in that soul or face)
Look on her features! and behold her mind
As in a mirror of itself defined:
Look on the picture! deem it not o'ercharged
There is no trait which might not be enlarged:
Yet true to 'Nature's journeymen,' who made
This monster when their mistress left off trade--
This female dog-star of her little sky,
Where all beneath her influence droop or die.
Oh! wretch without a tear-without a thought,
Save joy above the ruin thou hast wrought--
The time shall come, nor long remote, when thou
Shalt feel far more than thou inflictest now;
Feel for thy vile self-loving self in vain,
And turn thee howling in unpitied pain.
May the strong curse of crush 'd affections light
Back on thy bosom with reflected blight!
And make thee in thy leprosy of mind
As loathsome to thyself as to mankind!
Till all thy self-thoughts curdle into hate,
Black--as thy will for others would create:
Till thy hard heart be calcined into dust,
And thy soul welter in its hideous crust.
Oh, may thy grave be sleepless as the bed,
The widow'd couch of fire, that thou hast spread!
Then, when thou fain wouldst weary Heaven with prayer,
Look on thine earthly victims--and despair!
Down to the dust!--and, as thou rott'st away,
Even worms shall perish on thy poisonous clay.
But for the love I bore, and still must bear,
To her thy malice from all ties would tear--
Thy name--thy human name--to every eye
The climax of all scorn should hang on high,
Exalted o'er thy less abhorr'd compeers--
And festering in the infamy of years.
A Spirit Passed
Before Me [From Job]
by Lord Byron
A spirit passed before me: I beheld
The face of immortality unveiled--
Deep sleep came down on every eye save mine--
And there it stood,--all formless--but divine:
Along my bones the creeping flesh did quake;
And as my damp hair stiffened, thus it spake:
"Is man more just than God? Is man more pure
Than He who deems even Seraphs insecure?
Creatures of clay--vain dwellers in the dust!
The moth survives you, and are ye more just?
Things of a day! you wither ere the night,
Heedless and blind to Wisdom's wasted light!"
A Very Mournful
Ballad On The Siege And Conquest Of Alhama
by Lord Byron
Which, in the Arabic language, is to the following purport:
I
THE Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!
II
Letters to the monarch tell
How Alhama's city fell:
In the fire the scroll he threw,
And the messenger he slew.
Woe is me, Albamal
III
He quits his mule, and mounts his horse,
And through the street directs his course;
Through the street of Zacatin
To the Alhambra spurring in.
Woe is me, Alhama!
IV
When the Alhambra walls he gain'd,
On the moment he ordain'd
That the trumpet straight should sound
With the silver clarion round.
Woe is me, Alhamal
V
And when the hollow drums of war
Beat the loud alarm afar,
That the Moors of town and plain
Might answer to the martial strain.
Woe is me, Alhama!
VI
Then the Moors, by this aware,
That bloody Mars recall'd them there,
One by one, and two by two,
To a mighty squadron grew.
Woe is me, Alhama!
VII
Out then spake an aged Moor
In these words the king before,
'Wherefore call on us, oh King?
What may mean this gathering?'
Woe is me, Alhama!
VIII
'Friends! ye have, alas! to know
Of a most disastrous blow;
That the Christians, stern and bold,
Have obtain'd Albania's hold.'
Woe is me, Alhama!
IX
Out then spake old Alfaqui,
With his beard so white to see,
'Good King! thou art justly served,
Good King! this thou hast deserved.
Woe is me, Alhama!
X
'By thee were slain, in evil hour,
The Abencerrage, Granada's flower;
And strangers were received by thee
Of Cordova the Chivalry.
Woe is me, Alhama!
XI
'And for this, oh King! is sent
On thee a double chastisement:
Thee and thine, thy crown and realm,
One last wreck shall overwhelm.
Woe is me, Alhama!
XII
'He who holds no laws in awe,
He must perish by the law;
And Granada must be won,
And thyself with her undone.'
Woe is me, Alhama!
XIII
Fire Crashed from out the old Moor's eyes,
The Monarch's wrath began to rise,
Because he answer'd, and because
He spake exceeding well of laws.
Woe is me, Alhama!
XIV
'There is no law to say such things
As may disgust the ear of kings:
'Thus, snorting with his choler, said
The Moorish King, and doom'd him dead.
Woe is me, Alhama!
XV
Moor Alfaqui! Moor Alfaqui!
Though thy beard so hoary be,
The King hath sent to have thee seized,
For Alhama's loss displeased.
Woe is me, Alhama!
XVI
And to fix thy head upon
High Alhambra's loftiest stone;
That thus for thee should be the law,
And others tremble when they saw.
Woe is me, Alhama!
XVII
'Cavalier, and man of worth!
Let these words of mine go forth!
Let the Moorish Monarch know,
That to him I nothing owe.
Woe is me, Alhama!
XVIII
'But on my soul Alhama weighs,
And on my inmost spirit preys;
And if the King his land hath lost,
Yet others may have lost the most.
Woe is me, Alhama!
XIX
'Sires have lost their children, wives
Their lords, and valiant men their lives!
One what best his love might claim
Hath lost, another wealth, or fame.
Woe is me, Alhama!
XX
'I lost a damsel in that hour,
Of all the land the loveliest flower;
Doubloons a hundred I would pay,
And think her ransom cheap that day.'
Woe is me, Alhama!
XXI
And as these things the old Moor said,
They sever'd from the trunk his head;
And to the Alhambra's wall with speed
'Twas carried, as the King decreed.
Woe is me, Alhama!
XXII
And men and infants therein weep
Their loss, so heavy and so deep;
Granada's ladies, all she rears
Within her walls, burst into tears.
Woe is me, Alhama!
XXIII
And from the windows o'er the walls
The sable web of mourning falls;
The King weeps as a woman o'er
His loss, for it is much and sore.
Woe is me, Alhama!
Address, Spoken
At The Opening Of Drury-Lane Theatre. Saturday, October 10, 1812
by Lord Byron
In one dread night our city saw, and sigh'd,
Bow'd to the dust, the Drama's tower of pride
In one short hour beheld the blazing fane,
Apollo sink, and Shakspeare cease to reign.
Ye who beheld, (oh! sight admired and mourn'd,
Whose radiance mock'd the ruin it adorn'd!)
Through clouds of fire the massy fragments riven,
Like Israel's pillar, chase the night from heaven;
Saw the long column of revolving flames
Shake its red shadow o'er the startled Thames, While thousands, throng'd
around the burning dome,
Shrank back appall'd, and trembled for their home,
As glared the volumed blaze, and ghastly shone
The skies, with lightnings awful as their own,
Till blackening ashes and the lonely wall
Usurp 'd the Muse's realm, and mark'd her fall;
Say - shall this new, nor less aspiring pile,
Rear'd where once rose the mightiest in our isle,
Know the same favour which the former knew,
A shrine for Shakspeare--worthy him and you?
Yes--it shall be--the magic of that name
Defies the scythe of time, the torch of flame;
On the same spot still consecrates the scene,
And bids the Drama be where she hath been:
This fabric's birth attests the potent spell--
Indulge our honest pride, and say, How well!
As soars this fare to emulate the last,
Oh! might we draw our omens from the past,
Some hour propitious to our prayers may boast
Names such as hallow still the dome we lost.
On Drury first your Siddons' thrilling art
O'erwhelm'd the gentlest, storm'd the sternest heart.
On Drury, Garrick's latest laurels grew;
Here your last tears retiring Roscius drew,
Sigh'd his last thanks, and wept his last adieu:
But still for living wit the wreaths may bloom,
That only waste their odours o'er the tomb.
Such Drury claim'd and claims--nor you refuse
One tribute to revive his slumbering muse;
With garlands deck your own Menander's head,
Nor hoard your honours idly for the dead.
Dear are the days which made our annals bright,
Ere Garrick fled, or Brinsley ceased to write.
Heirs to their labours, like all high-born heirs,
Vain of our ancestry as they of theirs;
While thus Remembrance borrows Banquo's glass
To claim the sceptred shadows as they pass,
And we the mirror hold, where imaged shine
Immortal names, emblazon'd on our line,
Pause--ere their feebler offspring you condemn,
Reflect how hard the task to rival them!
Friends of the stage! to whom both Players and Plays
Must sue alike for pardon or for praise.
Whose judging voice and eye alone direct
The boundless power to cherish or reject;
If e'er frivolity has led to fame,
And made us blush that you forbore to blame;
If e'er the sinking stage could condescend
To soothe the sickly taste it dare not mend,
All past reproach may present scenes refute,
And censure, wisely loud, be justly mute!
Oh! since your fiat stamps the Drama's laws,
Forbear to mock us with misplaced applause;
So pride shall doubly nerve the actor's powers,
And reason's voice be echo'd back by ours!
This greeting o'er, the ancient rule obey'd
The Drama's homage by her herald paid,
Receive our welcome too, whose every tone
Springs from our hearts, and fair would win your own.
The curtain rises--may our stage unfold
Scenes not unworthy Drury's days of old!
Britons our judges, Nature for our guide,
Still may we please--long, long may you preside.
Adieu, Adieu!
My Native Shore
by Lord Byron
Adieu, adieu! my native shore
Fades o'ver the waters blue;
The night-winds sigh, the breakers roar,
And shrieks the wild sea-mew.
Yon sun that sets upon the sea
We follow in his flight;
Farewell awhile to him and thee,
My native Land-Good Night!
A few short hours, and he will rise
To give the morrow birth;
And I shall hail the main and skies,
But not my mother earth.
Deserted is my own good hall,
Its hearth is desolate;
Wild weeds are gathering on the wall;
My dog howls at the gate.
Adrian's
Address To His Soul When Dying
by Lord Byron
[Animula! vagula, blandula,
Hospes comesque corporis,
Quæ nunc abibis in loca--
Pallidula, rigida, nudula,
Nec, ut soles, dabis jocos?]
Ah! gentle, fleeting, wav'ring sprite,
Friend and associate of this clay!
To what unknown region borne,
Wilt thou now wing thy distant flight?
No more with wonted humour gay,
But pallid, cheerless, and forlorn.
Aholibamah's
Monologue
by Lord Byron
Let them fly!
I hear the voice which says that all must die,
Sooner than our white-bearded patriarchs died;
And that on high
An ocean is prepared,
While from below
The deep shall rise to meet heaven's overflow.
Few shall be spared,
It seems; and, of that few, the race of Cain
Must lift their eyes to Adam's God in vain.
Sister! since it is so,
And the eternal Lord
In vain would be implored
For the remission of one hour of woe,
Let us resign even what we have adored,
And meet the wave, as we would meet the sword,
If not unmoved, yet undismay'd,
And wailing less for us than those who shall
Survive in mortal or immortal thrall,
And, when the fatal waters are allay'd,
Weep for the myriads who can weep no more.
Fly, seraphs! to your own eternal shore,
Where winds nor howl nor waters roar.
Our portion is to die,
And yours to live for ever:
But which is best, a dead eternity,
Or living, is but known to the great Giver.
Obey him, as we shall obey;
I would not keep this life of mine in clay
An hour beyond his will;
Nor see ye lose a portion of his grace,
For all the mercy which Seth's race
Find still.
Fly!
And as your pinions bear ye back to heaven,
Think that my love still mounts with thee on high,
Samiasa!
And if I look up with a tearless eye,
'Tis that an angel's bride disdains to weep,-
Farewell! Now rise, inexorable deep!
And Wilt Thou
Weep When I Am Low?
by Lord Byron
And wilt thou weep when I am low?
Sweet lady! speak those words again:
Yet if they grieve thee, say not so--
I would not give that bosom pain.
My heart is sad, my hopes are gone,
My blood runs coldly through my breast;
And when I perish, thou alone
Wilt sigh above my place of rest.
And yet, methinks, a gleam of peace
Doth through my cloud of anguish shine:
And for a while my sorrows cease,
To know thy heart hath felt for mine.
Oh lady! blessd be that tear--
It falls for one who cannot weep;
Such precious drops are doubly dear
To those whose eyes no tear may steep.
Sweet lady! once my heart was warm
With every feeling soft as thine;
But Beauty's self hath ceased to charm
A wretch created to repine.
Yet wilt thou weep when I am low?
Sweet lady! speak those words again:
Yet if they grieve thee, say not so--
I would not give that bosom pain.
Answer To A
Beautiful Poem, Entitled 'The Common Lot'
by Lord Byron
MONTGOMERY! true, the common lot
Of mortals lies in Lethe's wave;
Yet some shall never be forgot,
Some shall exist beyond the grave.
'Unknown the region of his birth,'
The hero rolls the tide of war;
Yet not unknown his martial worth,
Which glares a meteor from afar.
His joy or grief; his weal or woe,
Perchance may 'scape the page of fame;
Yet nations now unborn will know
The record of his deathless name.
The patriot's and the poet's frame
Must share the common tomb of all:
Their glory will not sleep the same;
That will arise, though empires fail.
The lustre of a beauty's eye
Assumes the ghastly stare of death;
The fair, the brave, the good must die,
And sink the yawning grave beneath
Once more the speaking eye revive,
Still beaming through the lover's strain;
For Petrarch's Laura still survives:
She died, but ne'er will die again.
The rolling seasons pass away,
And Time, untiring, waves his wing;
Whilst honour's laurel ne'er decay,
But bloom in fresh, unfading spring.
All, all must sleep in grim repose,
Collected in the silent tomb;
The old and young, with friends and foes,
Fest'ring alike in shrouds, consume.
The mouldering marble lasts its day,
Yet falls at length an useless fane;
To ruin's ruthless fangs a prey,
The wrecks of pillar'd pride remain.
What, though the sculpture he destroy'd,
From dark oblivion meant to ward;
A bright renown shall he enjoy'd
By those whose virtues claim reward
Then do not say the common lot
Of all lies deep in Lethe's wave;
Some few who ne'er will be forgot
Shall burst the bondage of the grave.
Away, Away, Ye Notes Of Woe!
by Lord Byron
Away, away, ye notes of woe!
Be silent, thou once soothing strain,
Or I must flee from hence--for, oh!
I dare not trust those sounds again.
To me they speak of brighter days
But lull the chords, for now, alas!
I must not think, I may not gaze,
On what I am--on what I was.
The voice that made those sounds more sweet
Is hush'd, and all their charms are fled
And now their softest notes repeat
A dirge, an anthem o'er the dead!
Yes, Thyrza! yes, they breathe of thee,
Beloved dust! since dust thou art;
And all that once was harmony
Is worse than discord to my heart!
'Tis silent all!--but on my ear
The well remember'd echoes thrill;
I hear a voice I would not hear,
A voice that now might well be still:
Yet oft my doubting soul 'twill shake;
Even slumber owns its gentle tone,
Till consciousness will vainly wake
To listen, though the dream be flown.
Sweet Thyrza! waking as in sleep,
Thou art but now a lovely dream;
A star that trembled o'er the deep,
Then turn'd from earth its tender beam.
But he who through life's dreary way
Must pass, when heaven is veil'd in wrath,
Will long lament the vanish'd ray
That scatter'd gladness o'er his path.
December 6, 1811.
Beppo, A
Venetian Story
by Lord Byron
I.
'Tis known, at least it should be, that throughout
All countries of the Catholic persuasion,
Some weeks before Shrove Tuesday comes about,
The People take their fill of recreation,
And buy repentance, ere they grow devout,
However high their rank, or low their station,
With fiddling, feasting, dancing, drinking, masking,
And other things which may be had for asking.
II.
The moment Night with dusky mantle covers
The skies (and the more duskily the better),
The Time--less liked by husbands than by lovers--
Begins, and Prudery flings aside her fetter,
And Gaiety on restless tiptoe hovers,
Giggling with all the Gallants who beset her;
And there are Songs and quavers, roaring, humming,
Guitars, and every other sort of strumming.
III.
And there are dresses, splendid but fantastical,
Masks of all times and nations, Turks and Jews,
And Harlequins and Clowns, with feats gymnastical,
Greeks, Romans, Yankee-doodles, and Hindoos;
All kinds of dress, except the ecclesiastical,
All people, as their fancies hit, may choose,
But no one in these parts may quiz the Clergy,--
Therefore take heed, ye Freethinkers! I charge ye.
IV.
You'd better walk about begirt with briars,
Instead of Coat and smallclothes, than put on
A single stitch reflecting upon Friars,
Although you swore it only was in fun;
They'd haul you o'er the coals, and stir the fires
Of Phlegethon with every mother's son,
Nor say one Mass to cool the Caldron's bubble
That boil'd your bones--unless you paid them double.
V.
But saving this, you may put on whate'er
You like by way of doublet, cape, or cloak,
Such as in Monmouth Street, or in Rag Fair,
Would rig you out in Seriousness or Joke;
And even in Italy such places are
With prettier name in softer accents spoke,
For, bating Covent Garden, I can hit on
No place that's called "Piazza" in Great Britain.
VI.
This feast is named the Carnival, which being
Interpreted implies "Farewell to Flesh":
So call'd, because the name and thing agreeing,
Through Lent they live on fish, both salt and fresh.
But why they usher Lent with so much glee in
Is more than I can tell, although I guess
'Tis as we take a glass with friends at parting
In the Stage-Coach or Packet, just at starting.
VII.
And thus they bid farewell to Carnal dishes,
And solid meats, and highly spiced ragouts,
To live for forty days on ill-dress'd fishes,
Because they have no sauces to their stews--
A thing which causes many "poohs" and "pishes,"
And several oaths (which would not suit the Muse)
From travellers accustom'd from a boy
To eat their Salmon, at the least, with Soy;
VIII.
And therefore humbly I would recommend
"The Curious in Fish-Sauce," before they cross
The Sea, to bid their Cook, or wife, or friend,
Walk or ride to the Strand, and buy in gross
(Or if set out beforehand these may send
By any means least liable to loss)
Ketchup, Soy, Chili-Vinegar, and Harvey,
Or, by the Lord! a Lent will well nigh starve ye.
IX.
That is to say, if your Religion's Roman,
And you at Rome would do as Romans do,
According to the proverb,--although No man
If foreign is obliged to fast, and you--
If Protestant, or sickly--or a woman--
Would rather dine in sin on a ragout--
Dine and be d____d! I don't mean to be coarse,
But that's the penalty, to say no worse.
X.
Of all the places where the Carnival
Was most facetious in the days of yore,
For dance, and song, and serenade, and ball,
And Masque, and Mime, and Mystery, and more
Than I have time to tell now, or at all,
Venice the bell from every city bore,
And at the moment when I fix my story,
That Sea-born City was in all her Glory.
XI.
They've pretty faces yet, those same Venetians,
Black eyes, arch'd brows, and sweet expressions still,
Such as of old were copied from the Grecians,
In ancient Arts by Moderns mimick'd ill;
And like so many Venuses of Titian's
(The best's at Florence--see it, if ye will),
They look when leaning over the Balcony;
Or stepp'd from out a picture by Giorgione,--
XII.
Whose tints are Truth and Beauty at their best;
And when you to Manfrini's palace go,
That Picture (howsoever fine the rest)
Is loveliest to my mind of all the show;
It may perhaps be also to your Zest,
And that's the cause I rhyme upon it so:
'Tis but a portrait of his Son and Wife
And Self; but such a Woman! Love in life!
XIII.
Love in full life and length, not Love ideal,
No, nor ideal Beauty, that fine name,
But something better still, so very real,
That the sweet Model must have been the same;
A thing that you would purchase, beg, or steal,
Were't not impossible, besides a shame;
The face recalls some face, as 'twere with pain,
You once have seen, but ne'er will see again.
XIV.
One of those forms which flit by us, when we
Are young, and fix our eyes on every face;
And, oh! the Loveliness at times we see
In momentary gliding, the soft grace,
The Youth, the Bloom, the Beauty which agree
In many a nameless being we retrace,
Whose course and home we knew not, nor shall know,
Like the lost Pleiad seen no more below.
XV.
I said that like a picture by Giorgione
Venetian women were, and so they are,
Particularly seen from a balcony
(For Beauty's sometimes best set off afar)
And there, just like a heroine of Goldoni,
They peep from out the blind, or o'er the bar;
And truth to say they're mostly very pretty,
And rather like to show it, more's the Pity!
XVI.
For glances beget ogles, ogles sighs,
Sighs wishes, wishes words, and words a letter,
Which flies on wings of light-heel'd Mercuries,
Who do such things because they know no better;
And then, God knows! what Mischief may arise,
When Love links two young people in one fetter:
Vile assignations, and adulterous beds,
Elopements, broken vows, and hearts, and heads.
XVII.
Shakespeare described the Sex in Desdemona
As very fair, but yet suspect in fame,
And to this day from Venice to Verona
Such matters may be probably the same,
Except that since those times was never known a
Husband whom mere Suspicion could inflame
To suffocate a wife no more than twenty,
Because she had a "Cavalier Servente."
XVIII.
Their jealousy (if they are ever jealous)
Is of a fair complexion altogether,
Not like that sooty devil of Othello's,
Which smothers women in a bed of feather,
But worthier of these much more jolly fellows,
When weary of the matrimonial tether
His head for such a wife no mortal bothers,
But takes at once another, or another's.
XIX.
Didst ever see a Gondola? For fear
You should not, I'll describe it you exactly:
'Tis a long cover'd boat that's common here,
Carved at the prow, built lightly, but compactly,
Row'd by two rowers, each call'd "Gondolier,"
It glides along the water looking blackly,
Just like a Coffin clapt in a Canoe,
Where none can make out what you say or do.
XX.
And up and down the long Canals they go,
And under the Rialto shoot along
By night and day, all paces, swift or slow,
And round the theatres, a sable throng,
They wait in their dusk livery of woe,--
But not to them do woeful things belong,
For sometimes they contain a deal of fun,
Like Mourning Coaches when the funeral's done.
XXI.
But to my story.--'Twas some years ago,
It may be thirty, forty, more or less,
The Carnival was at its height, and so
Were all kinds of Buffoonery and dress;
A Certain Lady went to see the show,
Her real name I know not, nor can guess,
And so we'll call her Laura, if you please,
Because it slips into my verse with ease.
XXII.
She was not old, nor young, nor at the years
Which certain people call a "certain Age,"
Which yet the most uncertain age appears,
Because I never heard, nor could engage
A person yet by prayers, or bribes, or tears,
To name, define by speech, or write on page,
The period meant precisely by that word,--
Which surely is exceedingly absurd.
XXIII.
Laura was blooming still, had made the best
Of Time, and Time return'd the compliment,
And treated her genteelly, so that, 'drest,
She look'd extremely well where'er she went;
A pretty woman is a welcome guest,
And Laura's brow a frown had rarely bent;
Indeed, she shone all Smiles, and seem'd to flatter
Mankind with her black eyes for looking at her.
XXIV.
She was a married woman; 'tis convenient,
Because in Christian countries 'tis a rule
To view their little slips with eyes more lenient;
Whereas if single ladies play the fool
(Unless within the period intervenient
A well-timed wedding makes the scandal cool),
I don't know how they ever can get over it,
Except they manage never to discover it.
XXV.
Her husband sail'd upon the Adriatic,
And made some voyages, too, in other seas,
And when he lay in Quarantine for Pratique
(A forty days' precaution 'gainst disease),
His wife would mount, at times, her highest attic,
For thence she could discern the ship with ease;
He was a Merchant trading to Aleppo,
His name Giuseppe--call'd more briefly, Beppo.
XXVI.
He was a man as dusky as a Spaniard,
Sunburnt with travel, yet a portly figure;
Though colour'd, as it were, within a tan-yard,
He was a person both of sense and vigour--
A better Seaman never yet did man yard;
And She, although her manners show'd no rigour,
Was deem'd a woman of the strictest principle,
So much as to be thought almost invincible.
XXVII.
But several years elapsed since they had met;
Some people thought the ship was lost, and some
That he had somehow blunder'd into debt,
And did not like the thought of steering home;
And there were several offer'd any bet,
Or that he would, or that he would not come,
For Most Men (till by losing render'd sager)
Will back their own opinions with a wager.
XXVIII.
'Tis said that their last parting was pathetic,
As partings often are, or ought to be,
And their presentiment was quite prophetic,
That they should never more each other see,
(A sort of morbid feeling, half poetic,
Which I have known occur in two or three)
When kneeling on the shore upon her sad knee
He left this Adriatic Ariadne.
XXIX.
And Laura waited long, and wept a little,
And thought of wearing weeds, as well she might;
She almost lost all appetite for victual,
And could not sleep with ease along at night;
She deem'd the window-frames and shutters brittle
Against a daring House-breaker or Sprite,
And so She thought it prudent to connect her.
With a Vice-husband, chiefly to protect her.
XXX.
She chose, (and what is there they will not choose,
If only you will but oppose their choice?)
Till Beppo should return from his long cruise,
And bid once more her faithful heart rejoice,
A Man some women like, and yet abuse--
A Coxcomb was he by the public voice;
A Count of wealth, they said, as well as quality,
And (in his pleasures) of great liberality.
XXXI.
And then he was A Count, and then he knew
Music, and dancing, fiddling, French and Tuscan;
The last not easy, be it known to you.
For few Italians speak the right Etruscan.
He was a Critic upon Operas, too,
And knew all niceties of the sock and buskin;
And no Venetian audience could endure a
Song, scene, or air, when he cried "Seccatura!"
XXXII.
His "Bravo" was decisive-for that sound
Hush'd "Academie" sigh'd in silent awe;
The fiddlers trembled as he look'd around,
For fear of some false note's detected flaw;
The "Prima Donna's" tuneful heart would bound,
Dreading the deep damnation of his "Bah!"
Soprano, Basso, even the Contra-Alto,
Wish'd him five fathom under the Rialto.
XXXIII.
He patronised the Improvisatori,
Nay, could himself extemporise some stanzas;
Wrote rhymes, sang songs, could also tell a story,
Sold pictures, and was skilful in the dance as
Italians can be--though in this their glory
Must surely yield the palm to that which France has;
In short, he was a perfect Cavaliero,
And to his very Valet seem'd a Hero.
XXXIV.
Then he was faithful too, as well as amorous;
So that no sort of female could complain--
Although they're now and then a little clamourous,
He never put the pretty souls in pain;
His heart was one of those which most enamour us,
Wax to receive, and Marble to retain:
He was a lover of the good old School,
Who still become more constant as they cool.
XXXV.
No wonder such accomplishments should turn
A female head, however sage and steady--
With scarce a hope that Beppo could return,
In law he was almost as good as dead, he
Nor sent, nor wrote, nor show'd the least concern,
And she had waited several years already;
And really if a Man won't let us know
That he's alive, he's dead, or should be so.
XXXVI.
Besides, within the Alps, to every woman,
(Although, God knows! it is a grievous sin)
'Tis, I may say, permitted to have two men;
I can't tell who first brought the custom in,
But "Cavalier Serventes" are quite common,
And no one notices nor cares a pin;
And we may call this (not to say the worst)
A Second Marriage which corrupts the First.
XXXVII.
The word was formerly a "Cicisbeo,"
But that is now grown vulgar and indecent;
The Spaniards call the person a "Cortejo,"
For the same Mode subsists in Spain, though recent;
In short, it reaches from the Po to Teio,
And may perhaps at last be o'er the Sea sent;
But Heaven preserve Old England from such courses!
Or what becomes of damage and divorces?
XXXVIII.
However, I still think, with all due deference
To the fair single part of the Creation,
That married ladies should preserve the preference
In tête-à-tête or general conversation--
And this I say without peculiar reference
To England, France, or any other nation--
Because they know the world, and are at ease,
And being natural, naturally please.
XXXIX.
'Tis true, your budding Miss is very charming,
But shy and awkward at first coming out,
So much alarm'd, that she is quite alarming,
All Giggle, Blush--half Pertness, and half-Pout--
And glancing at Mamma, for fear there's harm in
What you, she, it, or they, may be about;
The nursery still lisps out in all they utter--
Besides, they always smell of Bread and Butter.
XL.
But "Cavalier Servente" is the phrase
Used in politest circles to express
This supernumary slave, who stays
Close to the lady as a part of dress--
Her word the only law which he obeys.
His is no Sinecure, as you may guess;
Coach, Servants, Gondola, he goes to call,
And carries fan and tippet, gloves and shawl.
XLI.
With all its sinful doings, I must say,
That Italy's a pleasant place to me,
Who love to see the Sun shine every day,
And vines (not nail'd to walls) from tree to tree
Festoon'd, much like the back Scene of a play,
Or Melodrame, which people flock to see
When the first act is ended by a dance
In Vineyards copied from the South of France.
XLII.
I like on Autumn evenings to ride out,
Without being forced to bid my Groom be sure
My Cloak is round his middle strapp'd about,
Because the skies are not the most secure;
I know too that, if stopp'd upon my route
Where the green alleys windingly allure,
Reeling with grapes red waggons choke the way--
In England 'twould be dung, dust, or a dray.
XLIII.
I also like to dine on Becaficas,
To see the Sun set, sure he'll rise tomorrow,
Not through a misty morning twinkling weak as
A drunken man's dead eye in maudlin sorrow,
But with all Heaven t' himself; the Day will break as
Beauteous as cloudless, nor be forced to borrow
That sort of farthing candlelight which glimmers
Where reeking London's smoky Caldron simmers.
XLIV.
I love the language, that soft bastard Latin,
Which melts like kisses from a female mouth,
And sounds as if it should be writ on satin,
With syllables which breathe of the sweet South,
And gentle liquids gliding all so pat in
That not a single accent seems uncouth--
Like our harsh Northern whistling, grunting guttural,
Which we're obliged to hiss, and spit, and sputter all.
XLV.
I like the women too (Forgive my folly!)
From the rich peasant cheek of ruddy bronze,
And large black eyes that flash on you a volley
Of rays that say a thousand things at once,
To the high Dama's brow, more melancholy,
But clear, and with a wild and liquid Glance,
Heart on her lips, and Soul within her eyes,
Soft as her clime, and Sunny as her skies.
XLVI.
Eve of the land which still is Paradise!
Italian Beauty! didst thou not inspire
Raphael, who died in thy embrace, and vies
With all we know of Heaven, or can desire
In what he hath bequeath'd us?--in what guise,
Though flashing from the fervour of the Lyre,
Would Words describe thy past and present Glow,
While yet Canova can create below?
XLVII.
"England! with all thy faults I love thee still!"
I said at Calais, and have not forgot it;
I like to speak and lucubrate my fill;
I like the Government (but that is not it);
I like the freedom of the press and quill;
I like the Hapeas Corpus (when we've got it);
I like a parliamentary debate,
Particularly when 'tis not too late;
XLVIII.
I like the taxes, when they're not too many;
I like a sea-coal fire, when not too dear;
I like a beef-steak, too, as well as any;
Have no objection to a pot of beer;
I like the weather--when it is not rainy--
That is, I like two months of every Year;
And so God save the Regent, Church, and King!
Which means that I like all and every thing.
XLIX.
Our standing Army, and disbanded Seamen,
Poor's rate, Reform, my own, the nation's debt,
Our little Riots just to show we're free men,
Our trifling Bankruptcies in the Gazette,
Our cloudy Climate, and our chilly Women;
All these I can forgive, and those forget,
And greatly venerate our recent glories,
And wish they were not owing to the Tories.
L.
But to my tale of Laura--for I find
Digression is a sin, that by degrees
Becomes exceeding tedious to my mind,
And, therefore, may the reader too displease--
The gentle reader--who may wax unkind,
And caring little for the Author's ease,
Insist on knowing what he means, a hard
And hapless situation for a Bard.
LI.
Oh that I had the art of easy writing
What should be easy reading! could I scale
Parnassus, where the Muses sit inditing
Those pretty poems never known to fail!
How quickly would I print (the world delighting)
A Grecian, Syrian, or Assyrian tale;
And sell you, mix'd with Western sentimentalism,
Some samples of the finest Orientalism.
LII.
But I am but a nameless sort of person
(A broken Dandy lately on my travels)
And take for Rhyme, to hook my rambling Verse on,
The first that Walker's Lexicon unravels,
And when I can't find that, I put a worse on,
Not caring as I ought for Critics' cavils;
I've half a mind to tumble down to prose,
But Verse is more in fashion--so here goes!
LIII.
The Count and Laura made their new arrangement,
Which lasted, as Arrangements sometimes do,
For half a dozen years without estrangement;
They had their little differences, too;
Those jealous whiffs, which never any change meant;
In such affairs there probably are few
Who have not had this pouting sort of squabble,
From Sinners of high station to the Rabble.
LIV.
But, on the whole, they were a happy pair,
As happy as unlawful love could make them;
The Gentleman was fond, the Lady fair,
Their chains so slight 'twas not worth while to break them;
The World beheld them with indulgent air;
The Pious only wish'd "the Devil take them!"
He took them not; he very often waits,
And leaves old Sinners to be young ones' baits.
LV.
But they were young; Oh! what without our youth
Would Love be! What would youth be without love!
Youth lends it joy, and sweetness, vigour, truth,
Heart, soul, and all that seems as from above;
But, languishing with years, it grows uncouth--
One of few things Experience don't improve,
Which is perhaps the reason why old fellows
Are always so preposterously jealous.
LVI.
It was the Carnival, as I have said
Some six and thirty stanzas back, and so
Laura the usual preparations made,
Which you do when your mind's made up to go
To-night to Mrs. Boehm's Masquerade,
Spectator, or Partaker in the show;
The only difference known between the cases
Is here, we have six weeks of "varnish'd faces."
LVII.
Laura, when dress'd, was (as I sang before)
A pretty woman as was ever seen,
Fresh as the Angel o'er a new Inn door,
Or frontispiece of a new Magazine,
With all the Fashions which the last month wore,
Colour'd, and silver paper leaved between
That and the title-page, for fear the Press
Should soil with parts of speech the parts of dress.
LVIII.
They went to the Ridotto;--'tis a hall
Where people dance, and sup, and dance again--
Its proper name perhaps were a masqued Ball,
But that's of no importance to my strain;
'Tis (on a smaller scale) like our Vauxhall,
Excepting that it can't be spoilt by Rain;
The company is "mix'd" (the phrase I quote is
As much as saying they're below your Notice).
LIX.
For a "mix'd company" implies that, save
Yourself and friends and half a hundred more
Whom you may bow to without looking grave,
The rest are but a vulgar set--the Bore
Of public places, where they basely brave
The fashionable stare of twenty score
Of well-bred persons call'd "The World"--but I,
Although I know them, really don't know why.
LX.
This is the case in England, at least was
During the dynasty of Dandies, now
Perchance succeeded by some other class
Of imitated Imitators :-- how
Irreparably soon decline, alas!
The Demagogues of fashion; all below
Is frail; how easily the World is lost
By Love, or War, and now and then by Frost!
LXI.
Crush'd was Napoleon by the northern Thor,
Who knock'd his army down with icy hammer,
Stopp'd by the Elements, like a Whaler, or
A blundering Novice in his new French grammar;
Good cause had he to doubt the chance of War,
And as for Fortune--but I dare not d___n her,
Because, were I to ponder to Infinity,
The more I should believe in her Divinity.
LXII.
She rules the present, past, and all to be yet;
She gives us luck in lotteries, love, and marriage;
I cannot say that she's done much for me yet,
Not that I mean her bounties to disparage--
We've not yet closed accounts--and we shall see yet
How much she'll make amends for past miscarriage.
Meantime the Goddess I'll no more importune,
Unless to thank her when she's made my fortune.
LXIII.
To turn--and to return, the Devil take it!
This Story slips for ever through my fingers,
Because, just as the Stanza likes to make it,
It needs must be, and so it rather lingers:
This form of verse began, I can't well break it,
But must keep time and tune like public Singers;
But if I once get through my present measure,
I'll take another when I'm at leisure.
LXIV.
They went to the Ridotto ('tis a place
To which I mean to go myself to-morrow,
Just to divert my thoughts a little space,
Because I'm rather hippish, and may borrow
Some spirits, guessing at what kind of face
May lurk beneath each mask; and as my sorrow
Slackens its pace sometimes, I'll make or find
Something shall leave it half an hour behind).
LXV.
Now Laura moves along the joyous crowd--
Smiles in her eyes, and simpers on her lips--
To some she whispers, others speaks aloud;
To some she curtsies, and to some she dips,
Complains of warmth and, this complaint avow'd,
Her lover brings the Lemonade she sips;
She then surveys, condemns, but pities still
Her dearest friends for being dress'd so ill.
LXVI.
One has false curls, another too much paint,
A third--where did She buy that frightful turban?
A fourth's so pale she fears she's going to faint,
A fifth's look's vulgar, dowdyish, and suburban,
A sixth's white silk has got a yellow taint,
A seventh's thin Muslin surely will be her bane,
And lo! an eighth appears--"I'll see no more!"
For fear, like Banquo's kings, they reach a score.
LXVII.
Meantime, while she was thus at others gazing,
Others were leveling their looks at her;
She heard the Men's half-whisper'd mode of praising,
And, till 'twas done, determined not to stir;
The women only thought it quite amazing
That, at her time of Life, so many were
Admirers still--but Men are so debased,
Those brazen creatures always suit their taste.
LXVIII.
For my part now, I ne'er could understand
Why naughty Women--but I won't discuss
A thing which is a Scandal to the land;
I only don't see why it should be thus;
And if I were but in a gown and band--
Just to entitle me to make a fuss--
I'd preach on this till Wilberforce and Romilly
Should quote in their next speeches from my homily.
LXIX.
While Laura thus was seen, and seeing, smiling,
Talking, she knew not why, and cared not what,
So that her female friends, with envy broiling,
Beheld her airs and triumph, and all that,
And well-dress'd males still kept before her filing,
And passing bow'd and mingled with her chat;
More than the rest, one person seem'd to stare
With pertinacity that's rather rare.
LXX.
He was a Turk, the colour of mahogany;
And Laura saw him, and at first was glad,
Because the Turks so much admire Phylogyny,
Although their usage of their wives is sad;
'Tis said they use no better than a dog any
Poor woman, whom they purchase like a pad;
They have a number, though they ne'er exhibit 'em,
Four Wives by law, and Concubines "ad libitum."
LXXI.
They lock them up, and veil and guard them daily;
They scarcely can behold their male relations,
So that their moments do not pass so gaily
As is supposed the case with Northern nations;
Confinement, too, must make them look quite palely;
And as the Turks abhor long conversations,
Their days are either pass'd in doing nothing,
Or bathing, nursing, making love, and clothing.
LXXII.
They cannot read--and so don't lisp in Criticism;
Nor write--and so they don't affect the Muse;
Were never caught in epigram or witticism,
Have no romances, sermons, plays, reviews--
In harams Learning soon would make a pretty schism!
But luckily these beauties are no "Blues;"
No bustling Botherbys have they to show 'em
"That charming passage in the last new poem!"
LXXIII.
No solemn Antique gentleman of rhyme,
Who, having angled all his life for Fame
And getting but a nibble at a time,
Still fussily keeps fishing on, the same
Small "Triton of the Minnows," the sublime
Of mediocrity, the furious tame,
The echo's Echo, usher of the School
Of female Wits, boy bards--in short, a fool!
LXXIV.
A stalking Oracle of awful phrase,
The approving "Good!" (By no means GOOD in law)
Humming like flies around the newest blaze,
The bluest of Bluebottles you e'er saw,
Teasing with blame, excruciating with praise,
Gorging the little fame he gets all raw,
Translating tongues he knows not even by letter,
And sweating plays so middling, bad were better.
LXXV.
One hates an Author that's all Author, fellows
In foolscap uniforms turn'd up with ink,
So very anxious, clever, fine, and jealous,
One don't know what to say to them, or think,
Unless to puff them with a pair of Bellows;
Of Coxcombry's worst Coxcombs e'en the pink
Are preferable to these shreds of paper,
These unquench'd snufflings of the midnight taper.
LXXVI.
Of these same we see several, and of others,
Men of the World, who know the world like men,
Scott, Rogers, Moore, and all the better brothers
Who think of something else besides the pen;
But for the Children of the "Mighty Mother's"--
The would-be Wits, and can't-be Gentlemen--
I leave them to their daily "Tea is ready,"
Smug Coterie, and Literary Lady.
LXXVII.
The poor dear Mussulwomen whom I mention
Have none of these instructive, pleasant people,
And One would seem to them a new Invention,
Unknown as bells within a Turkish steeple;
I think 'twould almost be worth while to pension
(Though best-sown projects very often reap ill)
A Missionary Author, just to preach
Our Christian usage of the parts of Speech.
LXXVIII.
No Chemistry for them unfolds her gases,
No Metaphysics are let loose in lectures,
No Circulating Library amasses
Religious novels, moral tales, and strictures
Upon the living manners, as they pass us;
No Exhibition glares with annual pictures;
They stare not on the Stars from out their Attics,
Nor deal (thank God for that!) in Mathematics.
LXXIX.
Why I thank God for that is no great matter;
I have my reasons, you no doubt suppose,
And as perhaps they would not highly flatter,
I'll keep them for my life (to come) in prose;
I fear I have a little turn for Satire,
And yet, methinks, the older that one grows
Inclines us more to laugh than scold, though Laughter
Leaves us no doubly serious shortly after.
LXXX.
Oh, mirth and innocence! Oh, milk and water!
Ye happy mixtures of more happy days!
In these sad centuries of sin and slaughter,
Abominable Man no more allays
His thirst with such pure beverage. No matter,
I love you both, and both shall have my praise;
Oh, for old Saturn's reign of sugar-candy!
Meantime I drink to your return in Brandy.
LXXXI.
Our Laura's Turk still kept his eyes upon her,
Less in the Mussulman than Christian way,
Which seems to say, "Madam, I do you honour,
And while I please to stare, you'll please to stay!"
Could staring win a woman, this had won her,
But Laura could not thus be led astray;
She had stood fire too long and well, is boggle
Even at this Stranger's most outlandish Ogle.
LXXXII.
The Morning now was on the point of breaking,
A turn of time at which I would advise
Ladies who have been dancing, or partaking
In any other kind of Exercise,
To make their preparations for forsaking
The Ball-room ere the Sun begins to rise,
Because when once the lamps and candles fail,
His Blushes make them look a little pale.
LXXXIII.
I've seen some balls and revels in my time,
And stay'd them over for some silly reason;
And then I look'd (I hope it was no crime)
To see what lady best stood out the Season;
And though I've seen some thousands in their prime,
Lovely and pleasing, and who still may please on,
I never saw but One (the stars withdrawn)
Whose bloom could, after dancing, dare the dawn.
LXXXIV.
The name of this Aurora I'll not mention,
Although I might, for She was nought to me
More than that patent work of God's invention,
A charming woman, whom we like to see;
But writing names would merit reprehension,
Yet if you like to find out this fair She,
At the next London or Parisian ball
You still may mark her cheek, out-blooming all.
LXXXV.
Laura, who knew it would not do at all
To meet the daylight after seven hours' sitting
Among three thousand people at a ball,
To make her curtsy thought it right and fitting;
The Count was at her elbow with her shawl,
And they the room were on the point of quitting,
When lo! those cursed gondoliers had got
Just in the very place where they should not.
LXXXVI.
In this they're like our Coachmen, and the cause
Is much the same--the Crowd, and pulling, hauling--
With blasphemies enough to break their jaws--
They make a never-intermitted bawling.
At home, our Bow Street Gem'men keep the laws,
And here a Sentry stands within your calling;
But for all that, there is a deal of swearing,
And nauseous words past mentioning or bearing.
LXXXVII.
The Count and Laura found their boat at last,
And homeward floated o'er the silent tied,
Discussing all the dances gone and past;
The Dancers and their dresses, too, beside.
Some little Scandals eke; but all aghast
(As to their palace-stairs the rowers glide)
Sate Laura by the side of her Adorer,
When lo! the Mussulman was there before her!
LXXXVIII.
"Sir!" said the Count, with brow exceeding grave,
"Your unexpected presence here will make
It necessary for myself to crave
Its import--but perhaps 'tis a mistake.
I hope it is so, and at once to waive
All compliment--I hope so for your sake;
You understand my meaning, or you shall."
"Sir" (quoth the Turk), "'tis no mistake at all:
LXXXIX.
"That Lady is my Wife!" Much wonder paints
The Lady's changing cheek, as well it might,
But where an Englishwoman sometimes faints,
Italian females don't do so outright;
They only call a little on their Saints,
And then come to themselves, almost or quite,
Which saves much hartshorn, salts, and sprinkling faces,
And cutting stays, as usual in such cases.
XC.
She said-what could she say? why, not a word:
But the Count courteously invited in
The Stranger, much appeased by what he heard;
"Such things perhaps we'd best discuss within,"
Said he, "don't let us make ourselves absurd
In public, by a Scene, nor raise a din,
For then the chief and only satisfaction
Will be much quizzing on the whole transaction."
XCI.
They enter'd, and for coffee call'd; it came,
A beverage for Turks and Christians both,
Although the way they make it's not the same.
Now Laura, much recover'd, or less loth
To speak, cries "Beppo! what's your Pagan name?
Bless me! your beard is of amazing growth!
And how came you to keep away so long?
Are you not sensible 'twas very wrong?
XCII.
"And are you really, truly, now a Turk?
With any other women did you wive?
Is't true they use their fingers for a fork?
Well, that's the prettiest Shawl--as I'm alive!
You'll give it me? They say you eat no pork.
And how so many years did you contrive
To--Bless me! did I ever? No, I never
Saw a man grown so yellow! How's your liver?
XCIII.
"Beppo! that beard of yours becomes you not;
It shall be shaved before you're a day older;
Why do you wear it? Oh! I had forgot--
Pray don't you think the weather here is colder?
How do I look? You shan't stir from this spot
In that queer dress, for fear that some beholder
Should find you out, and make the story known.
How short your hair is! Lord! how grey it's grown!"
XCIV.
What answer Beppo made to these demands
Is more than I know. He was cast away
About where Troy stood once, and Nothing stands;
Became a Slave of course, and for his pay
Had bread and bastinadoes, till some bands
Of pirates landing in a neighbouring bay,
He join'd the rogues and prosper'd, and became
A Renegado of indifferent fame.
XCV.
But he grew rich, and with his riches grew so
Keen the desire to see his home again,
He thought himself in duty bound to do so,
And not be always thieving on the Main;
Lonely he felt at times as Robin Crusoe,
And so he hired a vessel come from Spain,
Bound for Corfu: she was a fine polacca,
Mann'd with twelve hands, and laden with tobacco.
XCVI.
Himself, and much (Heaven knows how gotten!) Cash,
He then embark'd, with risk of life and limb,
And got clear off, although the attempt was rash.
He said that Providence protected him;
For my part, I say nothing--lest we clash
In our opinions--well, the Ship was trim,
Set sail, and kept her reckoning fairly on,
Except three days of calm when off Cape Bonn.
XCVII.
They reach'd the Island, he transferr'd his lading
And self and live stock to another bottom,
And pass'd for a true Turkey-Merchant, trading
With goods of various names--but I've forgot 'em.
However, he got off by this evading,
Or else the people would perhaps have shot him;
And thus at Venice landed to reclaim
His wife, religion, house, and Christian name.
XCVIII.
His Wife received, the Patriarch re-baptised him
(He made the Church a present, by the way);
He then threw off the Garments which disguised him
And borrow'd the Count's small clothes for a day:
His friends the more for his long absence prized him,
Finding he'd wherewithal to make them gay,
With dinners--where he oft became the laugh of them;
For stories--but I don't believe the half of them.
XCIX.
Whate'er his Youth had suffer'd, his old Age
With wealth and talking made him some amends;
Though Laura sometimes put him in a rage,
I've heard the Count and He were always friends.
My pen is at the bottom of a page,
Which being finish'd, here the story ends;
'Tis to be wish'd it had been sooner done,
But Stories somehow lengthen when begun.
Bowles And
Campbell
by Lord Byron
To the tune of 'Why, how now, saucy jade?'
Why, how now, saucy Tom?
If you thus must ramble,
I will publish some
Remarks on Mister Campbell.
ANSWER
Why, how now, Billy Bowles?
Sure the priest is maudlin!
(To the public) How can you, d--n your souls!
Listen to his twaddling?
Bright Be The
Place Of Thy Soul!
by Lord Byron
Bright be the place of thy soul!
No lovelier spirit than thine
E'er burst from its mortal control
In the orbs of the blessed to shine.
On earth thou wert all but divine,
As thy soul shall immortally be;
And our sorrow may cease to repine,
When we know that thy God is with thee.
Light be the turf of thy tomb!
May its verdure like emeralds be:
There should not be the shadow of gloom
In aught that reminds us of thee.
Young flowers and an evergreen tree
May spring from the spot of thy rest:
But nor cypress nor yew let us see;
For why should we mourn for the blest?
Written After Swimming from Sestos to Abydos
If, in the month of dark December,
Leander, who was nightly wont
(What maid will not the tale remember?)
To cross thy stream, broad Hellespont!
If, when the wintry tempest roar'd,
He sped to Hero, nothing loth,
And thus of old thy current pour'd,
Fair Venus! how I pity both!
For me, degenerate modern wretch,
Though in the genial month of May,
My dripping limbs I faintly stretch,
And think I've done a feat today.
But since he cross'd the rapid tide,
According to the doubtful story,
To woo,--and--Lord knows what beside,
And swam for Love, as I for Glory;
'Twere hard to say who fared the best:
Sad mortals! thus the gods still plague you!
He lost his labour, I my jest;
For he was drown'd, and I've the ague.
When a Man Hath No Freedom to Fight for at Home
When a man hath no freedom to fight for at home,
Let him combat for that of his neighbours;
Let him think of the glories of Greece and of Rome,
And get knocked on the head for his labours.
To do good to Mankind is the chivalrous plan,
And is always as nobly requited;
Then battle for Freedom wherever you can,
And, if not shot or hanged, you'll get knighted.
On This Day I Complete My Thirty-Sixth Year
'Tis time the heart should be unmoved,
Since others it hath ceased to move:
Yet, though I cannot be beloved,
Still let me love!
My days are in the yellow leaf;
The flowers and fruits of love are gone;
The worm, the canker, and the grief
Are mine alone!
The fire that on my bosom preys
Is lone as some volcanic isle;
No torch is kindled at its blaze--
A funeral pile.
The hope, the fear, the jealous care,
The exalted portion of the pain
And power of love, I cannot share,
But wear the chain.
But 'tis not thus--and 'tis not here--
Such thoughts should shake my soul nor now,
Where glory decks the hero's bier,
Or binds his brow.
The sword, the banner, and the field,
Glory and Greece, around me see!
The Spartan, borne upon his shield,
Was not more free.
Awake! (not Greece--she is awake!)
Awake, my spirit! Think through whom
Thy life-blood tracks its parent lake,
And then strike home!
Tread those reviving passions down,
Unworthy manhood!--unto thee
Indifferent should the smile or frown
Of beauty be.
If thou regrett'st thy youth, why live?
The land of honourable death
Is here:--up to the field, and give
Away thy breath!
Seek out--less often sought than found--
A soldier's grave, for thee the best;
Then look around, and choose thy ground,
And take thy rest.
(from) Lines to Mr. Hodgson Written On Board the Lisbon Packet
Huzza! Hodgson, we are going,
Our embargo's off at last;
Favourable breezes blowing
Bend the canvass o'er the mast.
From aloft the signal's streaming,
Hark! the farewell gun is fir'd;
Women screeching, tars blaspheming,
Tell us that our time's expir'd.
Here's a rascal
Come to task all,
Prying from the custom-house;
Trunks unpacking
Cases cracking,
Not a corner for a mouse
'Scapes unsearch'd amid the racket,
Ere we sail on board the Packet.
Now our boatmen quit their mooring,
And all hands must ply the oar;
Baggage from the quay is lowering,
We're impatient--push from shore.
"Have a care! that case holds liquor--
Stop the boat--I'm sick--oh Lord!"
"Sick, ma'am, damme, you'll be sicker,
Ere you've been an hour on board."
Thus are screaming
Men and women,
Gemmen, ladies, servants, Jacks;
Here entangling,
All are wrangling,
Stuck together close as wax.--
Such the genial noise and racket,
Ere we reach the Lisbon Packet.
Now we've reach'd her, lo! the captain,
Gallant Kidd, commands the crew;
Passengers their berths are clapt in,
Some to grumble, some to spew.
"Hey day! call you that a cabin?
Why 't is hardly three feet square;
Not enough to stow Queen Mab in--
Who the deuce can harbour there?"
"Here's a stanza
On Braganza--
Help!"--"A couplet?"--"No, a cup
Of warm water--"
"What's the matter?"
"Zounds! my liver's coming up;
I shall not survive the racket
Of this brutal Lisbon Packet."
Now at length we're off for Turkey,
Lord knows when we shall come back!
Breezes foul and tempests murky
May unship us in a crack.
But, since life at most a jest is,
As philosophers allow,
Still to laugh by far the best is,
Then laugh on--as I do now.
Laugh at all things,
Great and small things,
Sick or well, at sea or shore;
While we're quaffing,
Let's have laughing--
Who the devil cares for more?--
Some good wine! and who would lack it,
Ev'n on board the Lisbon Packet?
Inscription on the Monument of a Newfoundland Dog
When some proud son of man returns to earth,
Unknown to glory, but upheld by birth,
The sculptor's art exhausts the pomp of woe,
And storied urns record who rest below:
When all is done, upon the tomb is seen,
Not what he was, but what he should have been:
But the poor dog, in life the firmest friend,
The first to welcome, foremost to defend,
Whose honest heart is still his master's own,
Who labors, fights, lives, breathes for him alone,
Unhonored falls, unnoticed all his worth,
Denied in heaven the soul he held on earth:
While man, vain insect! hopes to be forgiven,
And claims himself a sole exclusive heaven.
Oh man! thou feeble tenant of an hour,
Debased by slavery, or corrupt by power,
Who knows thee well must quit thee with disgust,
Degraded mass of animated dust!
Thy love is lust, thy friendship is all a cheat,
Thy smiles hypocrisy, thy words deceit!
By nature vile, ennobled but by name,
Each kindred brute might bid thee blush for shame.
Ye! who perchance behold this simple urn,
Pass on--it honors none you wish to mourn:
To mark a friend's remains these stones arise;
I never knew but one,--and here he lies.
And Thou Art Dead, As Young and Fair
And thou art dead, as young and fair
As aught of mortal birth;
And form so soft, and charms so rare,
Too soon return'd to Earth!
Though Earth receiv'd them in her bed,
And o'er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.
I will not ask where thou liest low,
Nor gaze upon the spot;
There flowers or weeds at will may grow,
So I behold them not:
It is enough for me to prove
That what I lov'd, and long must love,
Like common earth can rot;
To me there needs no stone to tell,
'T is Nothing that I lov'd so well.
Yet did I love thee to the last
As fervently as thou,
Who didst not change through all the past,
And canst not alter now.
The love where Death has set his seal,
Nor age can chill, nor rival steal,
Nor falsehood disavow:
And, what were worse, thou canst not see
Or wrong, or change, or fault in me.
The better days of life were ours;
The worst can be but mine:
The sun that cheers, the storm that lowers,
Shall never more be thine.
The silence of that dreamless sleep
I envy now too much to weep;
Nor need I to repine
That all those charms have pass'd away,
I might have watch'd through long decay.
The flower in ripen'd bloom unmatch'd
Must fall the earliest prey;
Though by no hand untimely snatch'd,
The leaves must drop away:
And yet it were a greater grief
To watch it withering, leaf by leaf,
Than see it pluck'd to-day;
Since earthly eye but ill can bear
To trace the change to foul from fair.
I know not if I could have borne
To see thy beauties fade;
The night that follow'd such a morn
Had worn a deeper shade:
Thy day without a cloud hath pass'd,
And thou wert lovely to the last,
Extinguish'd, not decay'd;
As stars that shoot along the sky
Shine brightest as they fall from high.
As once I wept, if I could weep,
My tears might well be shed,
To think I was not near to keep
One vigil o'er thy bed;
To gaze, how fondly! on thy face,
To fold thee in a faint embrace,
Uphold thy drooping head;
And show that love, however vain,
Nor thou nor I can feel again.
Yet how much less it were to gain,
Though thou hast left me free,
The loveliest things that still remain,
Than thus remember thee!
The all of thine that cannot die
Through dark and dread Eternity
Returns again to me,
And more thy buried love endears
Than aught except its living years.
I Would I Were a Careless Child
I would I were a careless child,
Still dwelling in my highland cave,
Or roaming through the dusky wild,
Or bounding o'er the dark blue wave;
The cumbrous pomp of Saxon pride
Accords not with the freeborn soul,
Which loves the mountain's craggy side,
And seeks the rocks where billows roll.
Fortune! take back these cultured lands,
Take back this name of splendid sound!
I hate the touch of servile hands,
I hate the slaves that cringe around.
Place me among the rocks I love,
Which sound to Ocean's wildest roar;
I ask but this--again to rove
Through scenes my youth hath known before.
Few are my years, and yet I feel
The world was ne'er designed for me:
Ah! why do dark'ning shades conceal
The hour when man must cease to be?
Once I beheld a splendid dream,
A visionary scene of bliss:
Truth!--wherefore did thy hated beam
Awake me to a world like this?
I loved--but those I loved are gone;
Had friends--my early friends are fled:
How cheerless feels the heart alone
When all its former hopes are dead!
Though gay companions o'er the bowl
Dispel awhile the sense of ill;
Though pleasure stirs the maddening soul,
The heart--the heart--is lonely still.
How dull! to hear the voice of those
Whom rank or chance, whom wealth or power,
Have made, though neither friends nor foes,
Associates of the festive hour.
Give me again a faithful few,
In years and feelings still the same,
And I will fly the midnight crew,
Where boist'rous joy is but a name.
And woman, lovely woman! thou,
My hope, my comforter, my all!
How cold must be my bosom now,
When e'en thy smiles begin to pall!
Without a sigh I would resign
This busy scene of splendid woe,
To make that calm contentment mine,
Which virtue knows, or seems to know.
Fain would I fly the haunts of men--
I seek to shun, not hate mankind;
My breast requires the sullen glen,
Whose gloom may suit a darken'd mind.
Oh! that to me the wings were given
Which bear the turtle to her nest!
Then would I cleave the vault of heaven,
To flee away and be at rest.
The Tear
When Friendship or Love our sympathies move;
When Truth, in a glance, should appear,
The lips may beguile with a dimple or smile,
But the test of affection's a Tear.
Too oft is a smile but the hypocrite's wile,
To mask detestation, or fear;
Give me the soft sigh, whilst the soul-telling eye
Is dimm'd for a time with a Tear.
Mild Charity's glow, to us mortals below,
Shows the soul from barbarity clear;
Compassion will melt where this virtue is felt,
And its dew is diffused in a Tear.
The man, doom'd to sail with the blast of the gale,
Through billows Atlantic to steer,
As he bends o'er the wave which may soon be his grave,
The green sparkles bright with a Tear.
The Soldier braves death for a fanciful wreath
In Glory's romantic career;
But he raises the foe when in battle laid low,
And bathes every wound with a Tear.
If, with high-bounding pride he return to his bride!
Renouncing the gore-crimson'd spear;
All his toils are repaid when, embracing the maid,
From her eyelid he kisses the Tear.
Sweet scene of my youth! seat of Friendship and Truth,
Where Love chas'd each fast-fleeting year
Loth to leave thee, I mourn'd, for a last look I turn'd,
But thy spire was scarce seen through a Tear.
Though my vows I can pour to my Mary no more,
My Mary, to Love once so dear,
In the shade of her bower I remember the hour,
She rewarded those vows with a Tear.
By another possest, may she live ever blest!
Her name still my heart must revere:
With a sigh I resign what I once thought was mine,
And forgive her deceit with a Tear.
Ye friends of my heart, ere from you I depart,
This hope to my breast is most near:
If again we shall meet in this rural retreat,
May we meet, as we part, with a Tear.
When my soul wings her flight to the regions of night,
And my corse shall recline on its bier;
As ye pass by the tomb where my ashes consume,
Oh! moisten their dust with a Tear.
May no marble bestow the splendour of woe,
Which the children of Vanity rear;
No fiction of fame shall blazon my name,
All I ask--all I wish--is a Tear.
October 26th, 1806.
There is a Pleasure in the Pathless Woods (from Childe Harold)
There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society, where none intrudes,
By the deep sea, and music in its roar:
I love not man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne'er express, yet cannot all conceal.
He Who Ascends to Mountain-Tops (from Childe Harold)
He who ascends to mountain-tops shall find
The loftiest peaks most wrapt in clouds and snow;
He who surpasses or subdues mankind,
Must look down on the hate of those below.
Though high above the sun of glory glow,
And far beneath the earth and ocean spread,
Round him are icy rocks, and loudly blow
Contending tempests on his naked head.
And thus rewards the toils which to those summits led.
So We'll Go No More a-Roving
So we'll go no more a-roving
So late into the night,
Though the heart still be as loving,
And the moon still be as bright.
For the sword outwears its sheath,
And the soul outwears the breast,
And the heart must pause to breathe,
And love itself have rest.
Though the night was made for loving,
And the day returns too soon,
Yet we'll go no more a-roving
By the light of the moon.
Stanzas for Music
There be none of Beauty's daughters
With a magic like thee;
And like music on the waters
Is thy sweet voice to me:
When, as if its sound were causing
The charmèd ocean's pausing,
The waves lie still and gleaming,
And the lull'd winds seem dreaming.
And the midnight moon is weaving
Her bright chain o'er the deep,
Whose breast is gently heaving
As an infant's asleep:
So the spirit bows before thee;
To listen and adore thee;
With a full but soft emotion,
Like the swell of Summer's ocean.
She Walks in Beauty (from Hebrew Melodies)
She walks in beauty--like the night
Of cloudless climes and starry skies,
And all that's best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to the tender light
Which heaven to gaudy day denies.
One ray the more, one shade the less
Had half impaired the nameless grace
Which waves in every raven tress
Or softly lightens o'er her face--
Where thoughts serenely sweet express
How pure, how dear their dwelling place.
And on that cheek and o'er that brow
So soft, so calm yet eloquent,
The smiles that win, the tints that glow
But tell of days in goodness spent
A mind at peace with all below,
A heart whose love is innocent.
The Harp the Monarch Minstrel Swept (from Hebrew Melodies)
The harp the monarch minstrel swept,
The King of men, the loved of Heaven,
Which Music hallow'd while she wept
O'er tones her heart of hearts had given,
Redoubled be her tears, its chords are riven!
It soften'd men of iron mould,
It gave them virtues not their own;
No ear so dull, no soul so cold,
That felt not, fired not to the tone,
Till David's lyre grew mightier than his throne!
It told the triumphs of our King,
It wafted glory to our God;
It made our gladden'd valleys ring,
The cedars bow, the mountains nod;
Its sound aspired to heaven and there abode!
Since then, though heard on earth no more,
Devotion and her daughter Love
Still bid the bursting spirit soar
To sounds that seem as from above,
In dreams that day's broad light can not remove.
If That High World (from Hebrew Melodies)
If that high world, which lies beyond
Our own, surviving Love endears;
If there the cherish'd heart be fond,
The eye the same, except in tears--
How welcome those untrodden spheres!
How sweet this very hour to die!
To soar from earth and find all fears
Lost in thy light--Eternity!
It must be so: 'tis not for self
That we so tremble on the brink;
And striving to o'erleap the gulf,
Yet cling to Being's severing link.
Oh! in that future let us think
To hold each heart the heart that shares;
With them the immortal waters drink,
And soul in soul grow deathless theirs!
My Soul is Dark (from Hebrew Melodies)
My soul is dark--Oh! quickly string
The harp I yet can brook to hear;
And let thy gentle fingers fling
Its melting murmurs o'er mine ear.
If in this heart a hope be dear,
That sound shall charm it forth again:
If in these eyes there lurk a tear,
'Twill flow, and cease to burn my brain.
But bid the strain be wild and deep,
Nor let thy notes of joy be first;
I tell thee, minstrel, I must weep,
Or else this heavy heart will burst;
For it hath been by sorrow nursed,
And ached in sleepless silence long;
And now 'tis doom'd to know the worst,
And break at once--or yield to song.
Thy Days Are Done (from Hebrew Melodies)
Thy days are done, thy fame begun;
Thy country's strains record
The triumphs of her chosen Son,
The slaughter of his sword!
The deeds he did, the fields he won,
The freedom he restored!
Though thou art fall'n, while we are free
Thou shalt not taste of death!
The generous blood that flow'd from thee
Disdain'd to sink beneath:
Within our veins its currents be,
Thy spirit on our breath!
Thy name, our charging hosts along,
Shall be the battle-word!
Thy fall, the theme of choral song
From virgin voices pour'd!
To weep would do thy glory wrong:
Thou shalt not be deplored.
It Is the Hour (from Hebrew Melodies)
It is the hour when from the boughs
The nightingale's high note is heard;
It is the hour--when lover's vows
Seem sweet in every whisper'd word;
And gentle winds and waters near,
Make music to the lonely ear.
Each flower the dews have lightly wet,
And in the sky the stars are met,
And on the wave is deeper blue,
And on the leaf a browner hue,
And in the Heaven that clear obscure
So softly dark, and darkly pure,
That follows the decline of day
As twilight melts beneath the moon away.
The Destruction of Sennacherib (from Hebrew Melodies; see 2 Kings 18-19)
The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming in purple and gold;
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on the Galilee.
Like the leaves of the forest when summer is green,
That host with their banners at sunset were seen:
Like the leaves of the forest when autumn hath blown,
That host on the morrow lay withered and strown.
For the Angel of Death spread his wings on the blast,
And breathed in the face of the foe as he passed;
And the eyes of the sleepers waxed deadly and chill,
And their hearts but once heaved, and forever grew still!
And there lay the steed with his nostril all wide,
But through it there rolled not the breath of his pride;
And the foam of his gasping lay white on the turf,
And cold as the spray of the rock-beating surf.
And there lay the rider distorted and pale,
With the dew on his brow, and the rust on his mail:
And the tents were all silent, the banners alone,
The lances unlifted, the trumpets unblown.
And the widows of Ashur are loud in their wail,
And the idols are broke in the temple of Baal;
And the might of the Gentile, unsmote by the sword,
Hath melted like snow in the glance of the Lord!
'All is Vanity, Saith the Preacher' (from Hebrew Melodies)
Fame, wisdom, love, and power were mine,
And health and youth possess'd me;
My goblets blush'd from every vine,
And lovely forms carress'd me;
I sunn'd my heart in beauty's eyes,
And felt my soul grow tender;
All earth can give, or mortal prize,
Was mine of regal splendour.
I strive to number o'er what days
Remembrance can discover,
Which all that life or earth displays
Would lure me to live over.
There rose no day, there roll'd no hour
Of pleasure unembitter'd:
And not a trapping deck'd my power
That gall'd not while it glitter'd.
The serpent of the field, by art
And spells, is won from harming;
But that which coils around the heart,
Oh! who hath power of charming?
It will not list to wisdom's lore,
Nor music's voice can lure it;
But there it stings for evermore
The soul that must endure it.
Stanzas for Music (from Hebrew Melodies)
Bright be the place of thy soul!
No lovelier spirit than thine
E'er burst from its mortal control,
In the orbs of the blessed to shine.
On earth thou wert all but divine,
As thy soul shall immortally be;
And our sorrow may cease to repine
When we know that thy God is with thee.
Light be the turf of thy tomb!
May its verdure like emeralds be!
There should not be the shadow of gloom
In aught that reminds us of thee.
Young flowers and an evergreen tree
May spring from the spot of thy rest:
But not cypress not yew let us see;
For why should we mourn for the blest?
Sonnet to Lake Leman (in Switzerland)
Rousseau--Voltaire--our Gibbon--De Staël--
Leman! these names are worthy of thy shore,
Thy shore of names like these! wert thou no more,
Their memory thy remembrance would recall:
To them thy banks were lovely as to all,
But they have made them lovelier, for the lore
Of mighty minds doth hallow in the core
Of human hearts the ruin of a wall
Where dwelt the wise and wondrous; but by thee
How much more, Lake of Beauty! do we feel,
In sweetly gliding o'er thy crystal sea,
The wild glow of that not ungentle zeal,
Which of the heirs of immortality
Is proud, and makes the breath of glory real!
(from) Epistle to Augusta
My sister! my sweet sister! if a name
Dearer and purer were, it should be thine.
Mountains and seas divide us, but I claim
No tears, but tenderness to answer mine:
Go where I will, to me thou art the same
A lov'd regret which I would not resign.
There yet are two things in my destiny--
A world to roam through, and a home with thee.
The first were nothing--had I still the last,
It were the haven of my happiness;
But other claims and other ties thou hast,
And mine is not the wish to make them less.
A strange doom is thy father's son's, and past
Recalling, as it lies beyond redress;
Revers'd for him our grandsire's fate of yore--
He had no rest at sea, nor I on shore.
If my inheritance of storms hath been
In other elements, and on the rocks
Of perils, overlook'd or unforeseen,
I have sustain'd my share of worldly shocks,
The fault was mine; nor do I seek to screen
My errors with defensive paradox;
I have been cunning in mine overthrow,
The careful pilot of my proper woe.
Mine were my faults, and mine be their reward.
My whole life was a contest, since the day
That gave me being, gave me that which marr'd
The gift--a fate, or will, that walk'd astray;
And I at times have found the struggle hard,
And thought of shaking off my bonds of clay:
But now I fain would for a time survive,
If but to see what next can well arrive.
I feel almost at times as I have felt
In happy childhood; trees, and flowers, and brooks,
Which do remember me of where I dwelt
Ere my young mind was sacrific'd to books,
Come as of yore upon me, and can melt
My heart with recognition of their looks;
And even at moments I could think I see
Some living thing to love--but none like thee.
Here are the Alpine landscapes which create
A fund for contemplation; to admire
Is a brief feeling of a trivial date;
But something worthier do such scenes inspire:
Here to be lonely is not desolate,
For much I view which I could most desire,
And, above all, a lake I can behold
Lovelier, not dearer, than our own of old.
I did remind thee of our own dear Lake,
By the old Hall which may be mine no more.
Leman's is fair; but think not I forsake
The sweet remembrance of a dearer shore:
Sad havoc Time must with my memory make
Ere that or thou can fade these eyes before;
Though, like all things which I have lov'd, they are
Resign'd for ever, or divided far.
The world is all before me; I but ask
Of Nature that with which she will comply--
It is but in her summer's sun to bask,
To mingle with the quiet of her sky,
To see her gentle face without a mask,
And never gaze on it with apathy.
She was my early friend, and now shall be
My sister--till I look again on thee.
For thee, my own sweet sister, in thy heart
I know myself secure, as thou in mine;
We were and are--I am, even as thou art--
Beings who ne'er each other can resign;
It is the same, together or apart,
From life's commencement to its slow decline
We are entwin'd--let death come slow or fast,
The tie which bound the first endures the last!
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